"In one 1962 survey roughly 90 percent of White people believed Black children had an equally fair opportunity to get a quality education as White children. Wise recognizes that White Americans’ lack of awareness—and denial about the extent of racial inequality in America—is dated, calling it “borderline delusional”."

(Unpacking the Snowflake - Kevin M. Hemer)

In 1962—  before Civil Rights legislation, when Black people were literally having their houses bombed for moving into white neighborhoods, and Black neighborhoods were being bombed in entirety for having nice houses, white people were literally releasing dogs on Black children (my parents) for walking to school, Black children and teenagers were literally leaving school to protest and then being arrested for demanding to be treated equally, police commissioners were driving through Black neighborhoods in tanks to instill fear in them for wanting to be treated equally, everything was separate with Black people getting the shittier end, they literally had lower education standards for Black schools and Black people were still getting lynched and the KKK was strong—

White people when surveyed said “there is equal opportunity“… So don’t think it’s weird that 93% or so of white people still think “there is equal opportunity” today. They’ve literally always been wrong and still are.

(via fuckyeahcracker)

Oblivion to and denial of racism is prevalent here in the UK too…..troubling

(via abagond)

A disturbingly common problem

HALIMA ANDERSON May 5th 2013

“Black women know and can attest to the fact that when they put on their ‘A game’, they are more likely than not to suddenly attract saboteurs intent on pushing black women back from what their A game is about to achieve for them. If black women are well presented, in shape and have well groomed healthy hair and bodies, they have other women (who realize that they are about to reap a harvest for their efforts) suddenly creating problems for them, instigating a campaign of negativity towards them, trying their best to remind others not to warm to them, and working frantically to reinstate the debilitating stereotypes that black women often are operating under.

I know and you too know all this but I am going to say in strong terms again that you must not let these things derail you. You must be your nice pleasant and kind self no matter what others do to show you up. Indeed even if they tempt you to an inch of your self control never give them an opportunity to say, ‘I told you she was fake’ or ‘she is aggressive.’ You must play this game to win, don’t let them win because you have a goal in mind and you know what they are about, these people who feel that black women do not deserve any good thing.

let it be that even if they succeed in pushing you out (yes it happens in life), that it will be so glaring that they were the bitches, that they orchestrated a vicious campaign against an innocent person. Let it be that everyone watching and looking on will see clearly who the righteous party is. Let their cards be marked by onlookers. They may think they have done you in, but what they don’t know is that they have created a lasting negative impression of themselves as horrid people ganging up on defenseless others. It will not bode well for them”


Well said.

soulbrotherv2:

Creating Black Americans: African-American History and Its Meanings, 1619 to the Present by Nell Irvin Painter

Here is a magnificent account of a past rich in beauty and creativity, but also in tragedy and trauma. Eminent historian Nell Irvin Painter blends a vivid narrative based on the latest research with a wonderful array of artwork by African American artists, works which add a new depth to our understanding of black history. Painter offers a history written for a new generation of African Americans, stretching from life in Africa before slavery to today’s hip-hop culture. The book describes the staggering number of Africans—over ten million—forcibly transported to the New World, most doomed to brutal servitude in Brazil and the Caribbean. Painter looks at the free black population, numbering close to half a million by 1860 (compared to almost four million slaves), and provides a gripping account of the horrible conditions of slavery itself. The book examines the Civil War, revealing that it only slowly became a war to end slavery, and shows how Reconstruction, after a promising start, was shut down by terrorism by white supremacists. Painter traces how through the long Jim Crow decades, blacks succeeded against enormous odds, creating schools and businesses and laying the foundations of our popular culture. We read about the glorious outburst of artistic creativity of the Harlem Renaissance, the courageous struggles for Civil Rights in the 1960s, the rise and fall of Black Power, the modern hip-hop movement, and two black Secretaries of State. Painter concludes that African Americans today are wealthier and better educated, but the disadvantaged are as vulnerable as ever. Painter deeply enriches her narrative with a series of striking works of art—more than 150 in total, most in full color—works that profoundly engage with black history and that add a vital dimension to the story, a new form of witness that testifies to the passion and creativity of the African-American experience. 

soulbrotherv2:

Creating Black Americans: African-American History and Its Meanings, 1619 to the Present by Nell Irvin Painter

Here is a magnificent account of a past rich in beauty and creativity, but also in tragedy and trauma. Eminent historian Nell Irvin Painter blends a vivid narrative based on the latest research with a wonderful array of artwork by African American artists, works which add a new depth to our understanding of black history. 

Painter offers a history written for a new generation of African Americans, stretching from life in Africa before slavery to today’s hip-hop culture. The book describes the staggering number of Africans—over ten million—forcibly transported to the New World, most doomed to brutal servitude in Brazil and the Caribbean. Painter looks at the free black population, numbering close to half a million by 1860 (compared to almost four million slaves), and provides a gripping account of the horrible conditions of slavery itself. The book examines the Civil War, revealing that it only slowly became a war to end slavery, and shows how Reconstruction, after a promising start, was shut down by terrorism by white supremacists. Painter traces how through the long Jim Crow decades, blacks succeeded against enormous odds, creating schools and businesses and laying the foundations of our popular culture. We read about the glorious outburst of artistic creativity of the Harlem Renaissance, the courageous struggles for Civil Rights in the 1960s, the rise and fall of Black Power, the modern hip-hop movement, and two black Secretaries of State. Painter concludes that African Americans today are wealthier and better educated, but the disadvantaged are as vulnerable as ever. 

Painter deeply enriches her narrative with a series of striking works of art—more than 150 in total, most in full color—works that profoundly engage with black history and that add a vital dimension to the story, a new form of witness that testifies to the passion and creativity of the African-American experience. 

(via abagond)

anexperimentallife:

“A few minutes ago Anderson Cooper asked [Charles Ramsey] if he would like a reward. Charles pulled his paycheck out of his pocket and said, ‘I get a Paycheck. Give the reward to the girls they rescued.’”
THAT’S what we should be talking about, not “how funny those quaint little black people are when they get on camera.”
This guy helps rescue three women, and people are making fun of him? Yeah, he used humor when he told the tale, and sure, it’s appropriate to chuckle when he does so. (Like when he said he “knew there was a problem when a young white girl ran into a black mans arms.”)
But to make fun of him? TO MAKE FUN OF HIM? TO DISRESPECT THIS MAN? THIS HERO?
Fucking shame on you. Dishonor on you, dishonor on your family, dishonor on your cow.
If you’re the kind of scumbag who makes fun of heroes, I suppose you can poke fun at him all you want, but if I’m ever in trouble and need someone to step up the the plate, I hope someone like Charles Ramsey is around.

anexperimentallife:

A few minutes ago Anderson Cooper asked [Charles Ramsey] if he would like a reward. Charles pulled his paycheck out of his pocket and said, ‘I get a Paycheck. Give the reward to the girls they rescued.’”

THAT’S what we should be talking about, not “how funny those quaint little black people are when they get on camera.”

This guy helps rescue three women, and people are making fun of him? Yeah, he used humor when he told the tale, and sure, it’s appropriate to chuckle when he does so. (Like when he said he “knew there was a problem when a young white girl ran into a black mans arms.”)

But to make fun of him? TO MAKE FUN OF HIM? TO DISRESPECT THIS MAN? THIS HERO?

Fucking shame on you. Dishonor on you, dishonor on your family, dishonor on your cow.

If you’re the kind of scumbag who makes fun of heroes, I suppose you can poke fun at him all you want, but if I’m ever in trouble and need someone to step up the the plate, I hope someone like Charles Ramsey is around.

(via abagond)

thepeoplesrecord:

The troubling viral trend of the “hilarious” Black poor person
May 7, 2013

Charles Ramsey, the man who helped rescue three Cleveland women presumed dead after going missing a decade ago, has become an instant Internet meme. It’s hardly surprising—the interviews he gave yesterday provide plenty of fodder for a viral video, including memorable soundbites (“I was eatin’ my McDonald’s”) and lots of enthusiastic gestures. But as Miles Klee and Connor Simpson have noted, Ramsey’s heroism is quickly being overshadowed by the public’s desire to laugh at and autotune his story, and that’s a shame. Ramsey has become the latest in a fairly recent trend of “hilarious” black neighbors, unwitting Internet celebrities whose appeal seems rooted in a “colorful” style that is always immediately recognizable as poor or working-class.

Before Ramsey, there was Antoine Dodson, who saved his younger sister from an intruder, only to wind up famous for his flamboyant recounting of the story to a reporter. Since Dodson’s rise to fame, there have been others: Sweet Brown, a woman who barely escaped her apartment complex during a fire last year, and Michelle Clarke, who couldn’t fathom the hailstorm that rained down in her hometown of Houston, and in turn became “the next Sweet Brown.”

Granted, the buzzworthy tactic of reporters interviewing the most loquacious witnesses to a crime or other event is nothing new, and YouTube has countless examples of people of all ethnicities saying ridiculous things. One woman, for instance, saw fit to casually mention her breasts while discussing a local accident, while another man described a car crash with theatrical flair. Earlier this year, a “hatchet-wielding hitchhiker” named Kai matched Dodson’s fame with his astonishing account of rescuing a woman from a racist attacker. But none of those people have been subjected to quite the same level of derisive memeification as Brown, Clark, and now, perhaps, Ramsey—the inescapable echoes of “Hide yo’ kids, hide yo’ wife!” and “Kabooyaw,” the tens of millions of YouTube hits and cameos in other viral videos, even commercials.

It’s difficult to watch these videos and not sense that their popularity has something to do with a persistent, if unconscious, desire to see black people perform. Even before the genuinely heroic Ramsey came along, some viewers had expressed concern that the laughter directed at people like Sweet Brown plays into the most basic stereotyping of blacks as simple-minded ramblers living in the “ghetto,” socially out of step with the rest of educated America. Black or white, seeing Clark and Dodson merely as funny instances of random poor people talking nonsense is disrespectful at best. And shushing away the question of race seems like wishful thinking.

Ramsey is particularly striking in this regard, since, for a moment at least, he put the issue of race front and center himself. Describing the rescue of Amanda Berry and her fellow captives, he says, “I knew something was wrong when a little pretty white girl ran into a black man’s arms. Something is wrong here. Dead giveaway!”

The candid statement seems to catch the reporter off guard; he ends the interview shortly afterward. And it’s notable that among the many memorable things Ramsey said on camera, this one has gotten less meme-attention than most. Those who are simply having fun with the footage of Ramsey might pause for a second to actually listen to the man. He clearly knows a thing or two about the way racism prevents us from seeing each other as people.

Source

Now that you know this is a thing, please stop sharing these memes. Poor Black people speaking candidly about various serious incidents isn’t a hilarious joke.

(via abagond)

I know How He Feels

“But it’s been very frustrating because I’ve been made to feel like an illegal immigrant – as if I’ve sneaked in on the back of a lorry. As black people it’s taken us a long time to be accepted in this country and I thought we had left this kind of thing behind us”

http://www.voice-online.co.uk/article/sacked-refusing-prove-he-wasnt-illegal-immigrant?utm_source=dlvr.it&utm_medium=twitter

Tags: Racism

#Blues #Music #Italy #Treviso 

"

Relationship nowadays are composed of :

1 male
1 female
1 bitch
1 ex trying to mess it up

and

1 friend secretly hoping it ends !

-Reader’s Digest-

"

— Lol, this is actually quite funny!

(Source: your-mean-sister, via your-mean-sister)

"Why you so obsessed with me"

— Mariah Carey

"Please put some dressing on that wounded Ego of yours, It’s rather unsightly"

— YB

(Source: blackcalendula)

My All Time Favorite Films/Movies

The Devil Wears Prada

Resident Evil

Mean Girls

Liar Liar

Secrets and Lies

Dangerous Liaisons

Southern Beasts of the Wild

She’s Gotta Have It

Fatal Attraction

Obsessed 

Psycho 

Dumb and Dumber

Thin Line Between Love and Hate

The Spy Next Door

The Spy Who Loved Me

Nightmare On ElmStreet

Enemy Of The State

The Empire Strikes Back

Pay Back Season

Two Can Play That Game

Poetic Justice

The Terminator

Judgement Day

All Quite On The Westernfront

A sense of entitlement, a sense of superiority, an inflated Ego and staggering arrogance I would say.

A sense of entitlement, a sense of superiority, an inflated Ego and staggering arrogance I would say.